Álvaro Siza, a Pritzker Prize laureate and a renowned contem-porary architect, stands out uniquely in the field of architectu-ral design due to his profound insights into the spirit of place. He firmly believes that architecture does not exist in isolation but is closely connected to the natural environment. In the process of modernization, it should seek a delicate balance for harmonious coexistence with nature.

This concept is fully demonstrated in the design of “WEI ART”. The entire space is dominated by an art museum exuding a strong artistic atmosphere. The design of the art museum clev-erly conforms to the undulations of the surrounding natural terrain. Its smooth lines seem to grow naturally, echoing the surrounding mountains, rivers and vegetation. The planning of the art hotel also follows this concept. It is both independent and echoes the art museum, forming a functional complemen-tarity. The villas are scattered in an orderly manner in the space, jointly forming an organic whole with the art museum and the art hotel. The design of the public area emphasizes openness and fluidity, with the indoor and outdoor spaces permeating each other, allowing art and nature to interweave inadvertently.

Álvaro Siza’s design concept permeates every detail of the WEI ART art space, enabling a perfect integration of architec-ture, art, nature, and functionality here, and creating a unique art and lifestyle experience space for people.

“WEI CULTURE” is a unique space that integrates diverse cult-ural experiences. It is designed by the world-renowned archit-ect and Pritzker Prize laureate Tadao Ando. Its design concept is like a symphony of harmonious resonance, perfectly integ-rating architectural aesthetics with rich cultural connotations, bringing people an unparalleled spiritual touch and cultural enjoyment.

“WEI SENSES” is meticulously crafted by Ma Yansong, the first Chinese architect to win an important landmark project over-seas and also one of the most internationally influential Chinese architects. The designer takes the shape of the traditional Chinese musical instrument “Xun” as the source of visual art inspiration, which is a tribute and inheri-tance of the ancient Chinese civilization. Through the abstra-ction, extraction, and reconstruction of the shape of the Xun, its iconic curves, contours, and other elements are ingeniously applied to the architectural appearance design of the concert hall. This innovative integration makes traditional cultural elements no longer a simple reproduction but a rebirth in a modern architectural space in a new way that conforms to contemporary aesthetics.

“WEI LIFE” is meticulously created by HZS, a globally reno-wned design firm that ranked first in the architectural design list of the 15th Golden Plate Award. Adhering to the respect for and in-depth exploration of regional culture, HZS ingen-iously integrates the bustling old dreams of Shanghai and the serene ancient charm of Shiliangshanju into the design of the “WEI LIFE” humanistic hotel and the Stone House Accommo-dation.

The lifestyle concept of old Shanghai is vividly presented in the hotel design. The overall architecture, with its stable brick and stone structure and exquisite carved decorations, recre-ates the unique charm of that era. In the design of the “WEI LIFE” humanistic hotel and the Stone House Accommodation Complex, HZS, through in-depth understanding and integr-ation of the lifestyle concept of old Shanghai and the cultural and material elements of Shiliangshanju, as well as the met-iculous creation of spatial experiences and the aesthetics of living, presents guests with a unique sojourning space that is rich in historical and cultural heritage while also full of modern comfort.

As the first oversea hotel of WEI brand, WEI Feiji is located on the country, Feiji, which owns pure sunshine. Its luxury positioning spreads the world with China’s luxury service concept and quality. The external design of the hotel fully reflects the local architectural style and its inner decoration uses Chinese elements.